personas: add Noon, Cyberpunk Narrative Author - #37
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Travolta was scoped to fantasy the way Ernie is scoped to WW2, which left NIGHTGRID's prose unowned. Noon takes it, completing the pattern: Cornelius/Ernie for the WW2 LCG, Tracy/Travolta for d20Mob, Rez/Noon for NIGHTGRID. Three projects, three advisor-and-author pairs. The scope comes from the NIGHTGRID design doc rather than inference. It names authored prose as a shipping subsystem in five places: persona voice packs shipped weekly as seasonal content, the Raid Log as the daily-ritual hook, the Operator voice, District fiction, and Vault artifacts whose puzzles turn on reading a leaked log. Two constraints here exist nowhere else on the roster. Register is an input rather than a polish, since the same event is written in several personas and shifts with the moment. And the prose does UX work: copy covering a twenty-second build is written to the length of that wait. The Screen Budget is shared byte-identical with Travolta, since it encodes a medium constraint rather than a genre one, following the Rez and Tracy precedent. Drop the Gloss and Strip the Neon are pointed at cyberpunk's own failure modes: fantasy prose is fixed by cutting, cyberpunk prose by withholding. Rez gains two lines: Noon in the routing bullet, and a stylists tier in the literature bullet so the persona's own lineage is in the canon list. Roster is twenty-one. tests/run.sh 296/296. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01ADc78GKp9UPozDYyiuLqQm
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Summary
Travolta (#36) was scoped to fantasy the way Ernie is scoped to WW2, which left NIGHTGRID's prose unowned. Noon takes it, and the pattern is now closed rather than extended:
Roster is twenty-one.
The scope came from the design doc, not from inference
The NIGHTGRID Opportunity Analysis v1.1 names authored prose as a shipping subsystem in five places:
Two constraints that exist nowhere else on the roster
Register is an input, not a polish. §4.3: "A Breaker's persona narrates a raid differently than a Ghost's, and the same persona shifts register with the situation." The same event gets written several times.
The prose does UX work. §4.6: "A 20-second build must feel like a montage, not a spinner. The Raid Log narrative voice does that work." Copy covering a wait is written to the length of that wait.
That is most of the argument for a separate profile rather than widening Travolta.
One behavior shared, two genre-specific
The Screen Budgetis byte-identical to Travolta's — verified withdiff. It encodes a medium constraint rather than a genre one, and both authors write to the same kind of surface. This follows the Rez/Tracy precedent where an identical Homage Meter lets two advisors grade on one scale.The other two point at cyberpunk's own failure modes:
Drop the Gloss— the genre's founding technique is naming a thing and letting context carry it. Cuts sentences that exist only to explain a term the text already explained.Strip the Neon— finds the line's most generic genre furniture (rain, chrome, mirrorshades) and replaces it with something only this district could produce. Sentence-level cousin of Rez's Homage Meter.Fantasy prose is fixed by cutting; cyberpunk prose by withholding. One profile carrying both would contradict itself.
Rez gains two lines
Verification
bash tests/run.sh— 296/296 passedbash scripts/generate-agents.sh— 21 agents, 21 commands; idempotent, no driftbash install.sh— clean;/noonin the slash-command listclaude-team list— showsNoon — Cyberpunk Narrative AuthorTEAM.mdsection placed before the Game Development Team H2;tiers.confentry inside the Opus blockgtm.mdneeded a count edit; the structural docs are count-freeNot proposing a fourth pair
There is no fourth project. Recorded in the DEVLOG so the pattern isn't extended reflexively.
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https://claude.ai/code/session_01ADc78GKp9UPozDYyiuLqQm
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